Hello from inside
the albatross
with a windproof lighter
and Japanese police tape.
Hello from staghorn
coral beds
waving at the beaked whale’s
mistake,
all six square metres
of fertilizer bags.
Hello from can-opened
delta gators,
taxidermied
with twenty-five grocery sacks
and a Halloween Hulk mask.
Hello from the zipped-up
leatherback
who shat bits of rope for a month.
Hello from bacteria
making their germinal way
to the poles in the pockets
of packing foam.
Hello from low-density
polyethylene dropstones
glacially tilled
by desiccated,
bowel-obstructed camels.
Hello from six-pack rings
and chokeholds,
from breast milk
and cord blood,
from microfibres
rinsed through yoga pants
and polyester fleece,
biomagnifying predators
strafing the treatment plants.
Hello from acrylics
in G.I. Joe.
Hello from washed up
fishnet thigh-highs
and frog suits
and egg cups
and sperm.
Hello.
- What is happening in this poem? Who or what is saying "Hello"?
- The poet has created striking snapshots throughout the poem with his choices of imagery and language. Which one is most striking to you? Why?
- What does the poem's title, "Hail," make you think of?
- How would you describe the mood of the poem? Does that mood shift anywhere?
- If you were reciting this poem, how would you handle its short lines, commas, and periods? Where and how long would you pause?
- Consider a complex issue, like climate change, fast fashion, or terrorism, that is of international concern. Write a poem that makes that massive problem real, immediate, and undeniable. If you'd like, you can use the word "Hello" the same way Adam Dickinson used it "Hail."
Useful Link
Watch Adam Dickinson read "Hail" and talk about his book The Polymers.
Adam Dickinson, “Hail” from The Polymers. Copyright © 2013 by Adam Dickinson. Reprinted by permission of House of Anansi Press.
Source: The Polymers (House of Anansi, 2013)